McKINNEY'S COTTON PICKERS

McKinney's Cotton Pickers were an African American jazz band, in Detroit, Michigan, United States, in 1926 by William McKinney, who expanded his Synco Septet to ten pieces. Cuba Austin took over for McKinney early on drums. Between 1927 and 1931, they were one of the most popular African-American bands. Many of their records for Victor were bestsellers.

In 1927, Fletcher Henderson's arranger and saxophone player Don Redman was invited to become the Cotton Pickers' musical director, and he assembled a band which rivalled Henderson's and Duke Ellington's.[citation needed] Aiding Redman with arrangements and rehearsals with the band was the talented trumpeter-arranger John Nesbitt. The line-up in 1928 was Cuba Austin (drums and vocals), Prince Robinson (clarinet, tenor saxophone), George Thomas (clarinet, alto saxophone, tenor saxophone, vocals; Redman (arranger, clarinet, alto saxophone, baritone saxophone, vocals, and leader), Dave Wilborn (banjo, vocals), Todd Rhodes (piano, celeste), Ralph Escudero (tuba), Nesbitt, Claude Jones (trombone), Milton Senior, Langston Curl (trumpet).

Other bandmembers at one time or another included George Bias (vocals), Benny Carter (clarinet, alto saxophone), Doc Cheatham (trumpet), Bill Coti (vocals), Ed Cuffee (trombone), Lois Deppe (vocals), Jimmy Dudley (clarinet, tenor saxophone), Robert Inge (clarinet, (alto saxophone), Quentin Jackson (trombone), Moxey-Hilton Jefferson (clarinet, alto saxophone), James P. Johnson (piano), Buddy Lee (trumpet), Donald King (vocals), Frank Marvin (vocals), Theodore McCord (clarinet, tenor saxophone), Jim Napier (vocals), Milton Senior (trumpet), Rex Stewart (cornet), Billy Taylor (tuba). Towards the end of 1929, a number of soloists who were not regular members of the band sat in for a series of recordings. These included Sidney de Paris (trumpet), Leonard Davis (trumpet), Coleman Hawkins (clarinet, tenor saxophone), Fats Waller (piano, celeste), Joe "Fox" Smith[4] (trumpet, cornet) and Kaiser Marshall (drums).

In 1931 Redman left to form his own band and was replaced by Benny Carter. The Cotton Pickers disbanded in 1934, unable to make money during the Depression. Manager of the band was Jean Goldkette (who arranged for the group to record "Birmingham Bertha" for him in July 1929, released on Victor under his own name).

A New McKinney's Cotton Pickers was organized in the early 1970s by David Hutson, using the original Don Redman arrangements. They recorded several albums and featured original banjoist Dave Wilborn, who was believed to have been the only surviving original member at the time.

McKinney's Cotton Pickers' performance of "Milenberg Joys" was used as the theme tune of Robert Parker's 1980s radio series Jazz Classics in Digital Stereo.

             





            




            


Shim-Me-Sha-Wabble

McKinney's Cotton Pickers, Directed by Don Redman

Composed by Spencer Williams

Recorded July 12, 1928

Personnel:

Don Redman, George Thomas,  James Dudley - Alto saxes

Prince Robinson - tenor sax and clarinet

John Nesbitt, Langston Curl - trumpets

Claude Jones - trombone

Todd Rhodes - piano

David Wilbourn - banjo

Ralph Escudaro - tuba

Cuba Austin - drums

This tune was a standard in the band's library.  Don wrote the arrangement on a front porch on Frederick Street in Detroit, opposite a tennis court.  Don said that watching the tennis game was relaxing as he worked on this fine old New Orleans stomp tune.  The give and take of instruments and the forceful ensemble, bring out all the exuberance of the old tune.  Redman himself has a natural joyous way of playing and expresses it here on both baritone and alto saxes.