MUGGSY SPANIER
Francis Joseph "Muggsy" Spanier (November 9, 1901 – February 12, 1967) was a prominent jazz cornet player based in Chicago. He was a member of The Bucktown Five, pioneers of the Chicago Style that straddled traditional Dixieland jazz and swing music.
Spanier was born in Chicago. At 13 he began playing the cornet and played with Elmer Schoebel in 1921. He borrowed the sobriquet of Muggsy from John "Muggsy" McGraw, the manager of the New York Giants baseball team. In the early 1920s, he played with The Bucktown Five.
In 1929 he became a member of a band led by Ted Lewis, then spent two years with Ben Pollack. After an illness, he assembled the eight-man group Muggsy Spanier and His Ragtime Band. In 1939 the band recorded several sessions of Dixieland standards for Bluebird Records that were later called The Great Sixteen and influenced a Dixieland revival.
The band's members included George Brunies (later Brunis - trombone and vocals), Rod Cless (clarinet), George Zack or Joe Bushkin (piano), Ray McKinstry, Nick Ciazza or Bernie Billings (tenor sax), and Bob Casey (bass).
His other most important ventures were the quartet he co-led with Sidney Bechet (the 'Big Four') in 1940. From 1940–1941 he played with Bob Crosby. In the 1950s, he moved to the West Coast and joined Earl Hines's band from 1957–1959. After touring Europe, he retired in 1964.
Songs
The Ragtime Band's theme tune was "Relaxin' at the Touro", composed by SPanier and Joe Bushkin, named for Touro Infirmary, the New Orleans hospital where Spanier had been treated for a perforated ulcer early in 1938. At the point of death, he was saved by Dr. Alton Ochsner who drained the fluid and eased his weakened breathing. One of Spanier's Dixieland numbers is a song he composed entitled, "Oh Doctor Ochsner."
'Relaxin' at the Touro' is a fairly straightforward 12-bar blues with a piano introduction and coda by Joe Bushkin. The pianist recalled, many years later: "When I finally joined Muggsy in Chicago (having left Bunny Berigan's failing big band) we met to talk it over at the Three Deuces, where Art Tatum was appearing." Muggsy was now playing opposite Fats Waller at the Sherman hotel and we worked out a kind of stage show for the two bands. Muggsy was a man of great integrity. "We played a blues in C and I made up a little intro. After that I was listed as the co-composer of 'Relaxin' at the Touro'".
Personal life
In 1950, in Chicago, Spanier's second marriage was to Ruth Gries O’Connell. He became the stepfather of her sons, Hollywood film writer and director Tom Gries and Charles Joseph Gries, later professionally known as Buddy Charles, a pop and jazz vocalist and pianist in Chicago. When Spanier was performing at a concert in Chicago in 1956, Buddy Charles was performing at the nearby Black Orchid nightclub. Spanier was heard to exclaim “that’s my boy.”
Historial
Siendo adolescente, toca con las bandas de Elmer Schoebel y Charlie Pierce, entre otras de su ciudad natal. Ya con 18 años, en 1924, comienza a grabar discos como líder de su propio grupo, los Bucktown Five. En 1938, se incorpora a la orquesta de Ray Miller, con quien actúa en radios y grabas varios discos. Ted Lewis, un director de orquesta de baile muy famoso en la época, lo contrata durante siete años, hasta 1936. Con la banda de Lewis, graba discos, realiza giras incluso por Europa y participa en un cortometraje.
Entre 1936 y 1938, toca con Ben Pollack y, después, forma su propio grupo, The Ragtime Band, una de las bandas más decisivas en el revival del dixieland de los años 1940. En los años 1950 y comienzos de los 60, vuelve a tocar con Bob Crosby y Ted Lewis, y mantiene en activo su grupo (en ocasiones, con formato de big band), tocando además frecuentemente con el pianista Earl Hines.
Spanier fue, como instrumentista, un aventajado alumno de King Oliver y Louis Armstrong, con un estilo muy negro, especialmente con la sordina, y representante principal del llamado Estilo Chicago.
Comentaris
Publica un comentari a l'entrada